"Attending one of Debora Petrina's shows means to dive into a 360 degrees artistic experience. To get into Petrina's planet is an aesthetic trip made of music, improvisation, dance.  An inexhaustible spring of creativity which seems to flow like a tumultuous river in the veins of this young but already well-known artist, venitian by birth, but international by vocation."
Antonella Benanzato

"Petrina shows a sophisticated and mature power in interpretation, with an amazing balance between voice and piano."

Alberto Bazzurro

"Debora Petrina, or better Petrina (that's all), is not a common artist."

Michele Manzotti

"Another quirky type is Petrina, an artist with a great international experience on her shoulders, despite her voice sounding fresh and Spring-like. She has now come out with a new record: "Roses of the Day" published by Tuk Music, Paolo Fresu's label, a guarantee in itself."

Marinella Venegoni

"Here is the new Italian songwriters’ spirit. Maybe after fifty years of revolutions first and cultural rearguard later, we are finally ready for a change."

Riccardo Piaggio

"Voice, piano, exquisite musical and poetic sensitivity for ten 'author-nudes' of rare refinement."

Elio Bussolino

"Petrina's strength truly lays in the wide horizon she paints with her interpretations."

John Vignola

"The whole work is expressed with an extreme originality and character and reflects the many Petrina's expressive and formal aspects."

Roberto Paviglianiti

"Roses of the Day is a tribute to the art of re-working other people' songs with personality."

Elena Raugei

"One of the pieces that she presents is signed in collaboration with John Cage."

"Debora Petrina with her ''Roses of the Day'' hits the Italian audience in Los Angeles."
Benedetta Cicconi

"What have the composer Morton Feldman, the Doors, Nick Drake and Piero Ciampi in common? Debora Petrina's passion and audacity; a pianist from Padova, a composer, a singer and a polyhedric artist among the most interesting in the Italian music scene."

Luigi La Delfa

"In Petrina's albums we are struck by the heterogeneous amount of musical material and the confidence with whom it is treated, using techniques more or less conventional, mixing genres, electric and acoustic sounds, traditions and avantgardes."

Giulio Cancelliere

"Petrina framed her work (the whole album is for piano and voice) glueining it together with an experimental and visionary approach. This, joined with her sensual and mischievious voice, makes up for a fascinating mix, spiced up by unquestionable compositional abilities, revealed by the one original track, composed with John Cage."

Paolo Corciulo

"Debora Petrina, the art of diving into music’s depth."

''Cover records abound, however, when they have identity and attitude, as in this case, it’s a game worth playing."

Maurizio Blatto

"Cage doesn't know it, but we have co-authored a piece."

Francesco Donadio

"Her vast songbook has fascinated the sardinian trumpet player (Paolo Fresu), who brought her to the studio to record Roses of the Day."

Pierfrancesco Pacoda

"An authentic flagship for Petrina."

Stefano Bonagura

"The best that the actual Italian music scene offers. Impossible to ignore her."

Ricardo Martillos

"This was clearly one of the most unusual and satisfying performances that I’ve experienced in recent memory, being completely spellbound from beginning to end."

Jon Davis

"Roses of the Day is the confirmation of a major talent and a demanding debut for Tuk Voice: it will be not easy for Fresu to maintain this level with the next titles."

Fabrizio Versienti

"With intensely estranged and involved voice, piano and prepared piano, ovedubbing and the curiosity of an Alice beyond the mirror."

Guido Festinese

"Petrina is the prototype of a contemporary musician; better still, of the performer as an idea of whole human being balanced between Renaissance and Fluxus, which perfectly fits with this young mercurial muse of emerald eyes, flame-red hair and suavely agitated voice."

Paolo Russo

"Petrina's character is strong and independent enough to give full and coherent meaning to the entire selection of tracks, showing intensity and pathos in above-average measure."

Bizarre

"Accompanying herself exclusively with the piano (often specifically prepared) Petrina treats us to a set of intense performances, displaying rare interpretative versatility."

Roberto Valentino

"First production for the new Tuk Voice, Paolo Fresu's label dedicated to the most interesting voices of Italian music. The debut couldn't be".

"The noise of Debora Petrina, between notes and dance.''Pasquale Rinaldis

"An album with an unique setting as always, which looks forward putting his feet on a solid classic basis."

Antonio Bacciocchi